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Josie’s Best of 2009

If I just did a Best Shows of 2009 list, it would be Lost all the way down. I love it, I obsess about it, I theorize and ponder and squeal with every new episode. All else pales in comparison.

But there were some other, non-Lost moments on TV in 2009, and so I offer a highly personal and impressionist list of Best TV Stuff. (And yes, I know that “Best” means just one. But I don’t want to play favorites, so a few of these are ties.)

Best Show: Lost

Best Episode:
1. The Incident
2. The Incident (it deserves both spots)

Best Lines:
1. “Bloop” (Hurley, Lost, The Lie)
2. “Chuck me” (Casey, Chuck, Chuck vs. the Ring)

Best Actor/Actress:
1. Michael Emerson
2. Jorge Garcia
3. Elizabeth Mitchell
[4. Edited to add Enver Gojak--how could I forget him?]

Best Guest Star:
1. Scott Bakula on Chuck
2. The Man in Black on Lost

Best Score
:
1. Fringe
2. Lost

Best Soundtrack:
1. Chuck
2. Glee

Best Surprise Couple:
1. Sawyer and Juliet (Lost)
2. Sayid and Ben (Lost)

Best Action Sequence: Gimme Some Truth (FlashForward)

Best Hand-to-Hand Combat
: Sawyer and Jack (Lost, The Incident)

Best Sight Gag: Astrid and Walter in the tinfoil hats (Fringe, Of Human Action)

Best Sex Scene
: Chuck and Sara (Chuck, Chuck vs. the Colonel)

Best (I certainly hope it isn’t a) Death Scene: Juliet (Lost, The Incident)

Best Surprise: The Vampire Diaries aren’t awful once you get past the first few episodes.

Best Canceled Show: The Unusuals and Terminator: The Sarah Connor Chronicles (I’m not counting Dollhouse, since it will run a few more episodes on 2010)

Most Improved: Dollhouse (and TTSCC, too—it got really great at the end)

Worst Series Finale: Battlestar Galactica

Worst Pilot I Actually Bothered to Watch: The Forgotten

Stuff I Watched and Loved in 2009, even though it aired earlier: I finally watched Rome in 2009, and loved it. I really enjoyed the first season of True Blood, and I’m excited for the next season to come out on DVD. I’ve started watching Supernatural, and it’s pretty good so far (I’m still on Season One).

Best Book
: Stephen King, Under the Dome

(Screencap courtesy of fringefiles.com. Thanks, guys!)

Serena's Top 9 of '09


Since 9 is my lucky number (my bday is 09-09), it seemed appropos to post my Top 9's of '09. I've got not one, but FIVE lists for you!
  • Top 9 Glee Songs
  • Top 9 Glee Moments/Quotes
  • Top 9 Sue Sylvester Quotes
  • 9 Jaw-Droppingly Good TV Moments
  • 9 So-Bad-Its-Pointless Disappointments
Enjoy!

Top 9 Glee Songs:

9. "Defying Gravity" - Rachel and Kurt, 1.9 Wheels
8. "Poison" - Acafellas, 1.3 Acafellas
7. "Sweet Caroline" - Puck, 1.8 Mash Up
6. "Imagine" - Mercedes, Artie and Deaf Kids, 1.11 Hairology
5. "Proud Mary" - Tina, Mercedes and Artie, 1.9 Wheels
4. "Don't Rain On My Parade" - Rachel, 1.13 Sectionals
3. "Halo/Walking on Sunshine" and "It's My Life/Confessions" - Boys v. Girls, 1.6 Vitamin D
2. "Rehab" - Vocal Adrenaline, 1.1 Pilot
1. "Don't Stop Believin'" - Rachel, Finn and Crew, 1.1 Pilot

Top 9 Glee Moments/Quotes

9. The Mattress Commercial. As I said, one of the best performances on Glee so far, right up there with "Rehab" and "Don't Stop Believin'". I love it when the mattress store owner jumps! [1.12 Mattress]

8. Boys v. Girls Mashups. Ok, already mentioned in my Top 9 Songs, but Rachel and Finn on speed still crack me up. I listen to the mashups so much that when I heard "Halo" the other day, I got confused when it didn't cut over to "Walking On Sunshine". [1.6 Vitamin D]

7. Kurt: "Oh Bambi, I cried so hard when those hunters shot your mommy." [1.5 The Rhodes Not Taken]

6. Slushee Stalking. That opening scene with Kurt in a transparent pea coat and Mercedes screeching, "My weave!" is just awesome. [1.8 Mashup]

5. Ken Tanaka: "I had a monster case of athlete's foot a couple of years ago and got all my toenails removed. So if she steps on my feet during the dance, I might pass out." [1.8 Mashup]

4. Puck: "It was a message from God - Rachel was a hot Jew and the good lord wanted me to get into her pants." [1.8 Mashup]

3. Celibacy Club Motto: "It's all about the teasing, and not about the pleasing." [1.2 Showmance]

2. Rachel (when caught trying to throw up): "I tried, I guess I don't have the gag reflex."
Emma: "One day when you're older, that will turn into an advantage." [1.2 Showmance]

1. Josh Groban: "Josh Groban loves a blowsy alcoholic." [1.3 Acafellas]

Top 9 Sue Sylvester Quotes

9. "I'll often yell at homeless people 'Hey, how's that homelessness working out for you? Give not being homeless a try!'"

8. "If I have a pregnant girl doing a handspring into a double layout, the judges aren't going to be admiring her impeccable form, they're going to be wondering if the centrifugal force is going to make the baby's head start crowning."

7. "You're too busy chasing tail and loading your hair with enormous amounts of product! I mean, today it just looks like you put lard in it."

6. "All I want is just one day a year where I'm not visually assaulted by uglies or fatties."

5. "You sunk my battleship, Rod, and you sunk it hard."

4. "In fact, I like minorities so much, I'm thinking about moving to California to become one."

3. "When I heard Sandy wanted to write himself into a scene as Queen Cleopatra, I was aroused, then furious."

2. The Journal!

1. "Santana. Brittany. Wheels. Gay kid. Asian. Other Asian. Aretha, and Shaft."

9 Jaw-Droppingly Good TV Moments:

9. House and the Mental Hospital. So far, the season isn't nearly as good as previous ones - I think I like House better when he was unabashedly mean (and funny), Foreteen is a bore, wtf is up with Cuddy and Lucas, and what happened to Chase's fabulous hair??? But I cannot deny that the season premiere episodes, when House is stuck in the mental hospital, are some of the finest moments of the show. Stark, grim, hopeless, and gray, the hospital (and the episodes) seemed like another world, another show. Someone needs to give Andre Braugher a permanent show - he is superb.

8. Lost - When Juliet detonates the bomb. Lost is always a funny show for me - I never watch it during the season, I'm not obsessed crazy, and I don't try to figure things out ahead of time. Sometimes, it even feels like homework - I feel like I have to pay really careful attention, so that I don't miss a single, potentially important moment. But without question, last season's finale, ending with Juliet detonating the bomb, was one of the best pieces of television I've ever seen, and for once, I can't wait until the next season starts. Besides, the complexity of Juliet has forever ruined me from any other character Elizabeth Mitchell plays.

7. Chuck - "I know kung fu." I love Chuck with a vengeance - so much that I actually went to Subway during the "Save Chuck" campaign. And why wouldn't I? Season 2 was packed with great episodes, and awesome guest stars. (It's one of the few shows that actually use their guest stars as more than a plot stunt.) The good? Scott Bakula as Chuck's dad, Tricia Helfer sauntering in to Buy More as the stripper cop, Chevy Chase as evil Bill Gates, Sarah choosing Chuck over Bryce, just off the top of my head. The best? Chuck: "I know kung fu."

6. Battlestar Galactica - "The Oath" and "Blood on the Scales". Although the last 1/2 of the series was spotty, the double episodes "The Oath" and "Blood on the Scales" were good enough to make up for the entire season. We got a lethargic Starbuck back in bad-ass form, Lee out of his horrendous suit, and a glimpse of what made Bill Adama the Admiral he is today. This is Battlestar at its best: powerful, dramatic, and seat-of-your-pants gripping.

5. CSI. Yeah, yeah, I know. But there's a reason CSI made this particular list - a cheeky little episode that sent up sci-fi conventions, complete with BSG's Ellen and Boomer as guest stars. What cinched it was when a smarmy producer unveils his heavily anticipated remake of a cheesy sci-fi tv show - the male lead is overly sensitive and starts crying to show off his human weakness - and Ron Moore yells, "You suck!" Classic.

4. True Blood. Hot "I thought you were dead" sex. "Smite me, motherfucker!" Pam in a pink Chanel suit. And of course, Alexander Sarsgaard. I can't choose - could you?

3. Dollhouse, Season 2. If you'd told me this summer if Dollhouse would become one of my favorite shows, I'd have looked at you like you were wearing a paisley shirt with plaid pants. But the last 6 episodes that aired after Fox officially canceled the show have been frakking-un-believable.

With the addition of Daniel, Topher's redemption, Adele's downward spiral, and an even more sinister Dollhouse, this show is going out with more than just a bang. And the much-lambasted Eliza Dushku is giving one hell of a performance - we finally care about Echo and her past, and can see why she *is* something special.

The sad irony is that what makes the last episodes of Dollhouse so scary good - a heroine we root for, the action-packed plots, tight storytelling, characters with depth, and an intelligently crafted alternate universe - are the things even die-hard Whedon fans criticized the show for not having when it premiered. What a complete, 180 transformation. I'll be sad when it finally ends.

2. Glee - The Pilot. I tuned in because I'm a musical theatre geek; by the end of the Pilot, I was head over heels in love. Never before had there been a show like Glee, with its black humor, snarky satirization of high school, completely weird characters, and wonderfully inappropriate musical numbers. Like the McKinley kids, my jaw was on the floor after Vocal Adrenaline's performance of "Rehab" - without question, the best musical number of the show - but it was six misfits in red T-shirts, and their unbelievable rendition of "Don't Stop Believin'" that stole my heart.

1. Dexter - Season Finale. You'd think that Glee would be my number one show of the year. After all, I loved it so much that I forced myself down Billie's throat as a reviewer :-) But, wow - that ending. I was shocked, stunned, screaming at the tv, rushing onto Internet boards. Those last three minutes placed Dexter firmly at the top of my list this year.

It was an amazing ending to an amazing season - easily the best since the show's first season. John Lithgow better win an Emmy - never again will I be able to watch 3rd Rock from the Sun without getting the willies. I loved watching Dexter becoming more and more human, from his unexpected jealousy to uncharacteristically frantic chase of Trinity, out of fear for his family. And then - WHAM!

The ending shot was beautifully symmetrical, and opens the door for endless opportunities. For the last 4 seasons, we've seen Dexter slowly growing as a human being outside of his dark passenger; now that Trinity has killed his last tie to humanity, the regression will no doubt be swift and intense. Bravo to an outstanding season!

Honorable Mentions: I need to point out Victor from Dollhouse. Sure, he was incredible as the creepy serial killer let loose, and dead on as Topher #2. But it was his coed-at-a-club that I can't get out of my head. Absolutely brilliant!

9 So-Bad-Its-Pointless Disappointments:

9. The last few episodes of True Blood, Season 2. After a thrilling plotline with the Fellowship of the Sun, True Blood... just... lost... steam... A big part of it was the overly drawn out Maryanne story. Really, they should have spread the two plotlines evenly throughout the season, or focused on one after the other. Such a waste of Michelle Forbes, who is a fabulous actress, and seemed to be having so much fun with the role.

And uh, what was the point of the first 30 minutes of the Season 2 finale? I felt like I was watching people clean their house.

8. Heroes. Why isn't this show dead yet?

7. Fame, the movie. As everyone knows, I'm a die hard musical theatre geek, and the rising popularity of musicals and dance has my heart swelling. But Fame just plain sucked. Which in itself sucks, because one of the contestants from my favorite season of So You Think You Can Dance - Kherington - had a starring role.

6. So You Think You Can Dance. A bunch of must-see shows fell off my radar this year: Grey's Anatomy (too many cast members!), Gossip Girl (what happened to Blair's wardrobe??), for example. But the one which fell the furthest is SYTYCD, which went from being my complete obsession to not even on my TiVo list.

Up until this year, I couldn't get enough of it. I sought out all things SYTYCD - songs played on the show, the live tour, Tabitha and Napoleon's hip hop class, even watched Dancing with the Stars and some pretty bad dance movies out of loytalty to my dancers. But I think the turning point came in Season 5, when they cut Natalie inexplicably from Vegas try outs. The judges tried so hard to defend their decision that they kept referring to the Season 5 contestants as "the best dancers we've ever had", and I lost faith in their judgment.

Another nail in the coffin was Season 6. I initially loved the idea of having two rounds of SYTYCD per year, but one right after the other? It was too much. Even a 3 month break would have been better. But the judges were whizzing off from ranking Season 5 to Season 6 tryouts. I watched maybe one ep of Season 6, and I just took it off my TiVo.

5. V. Snore. Did I miss anything?

4. Terminator: Salvation. While not a bad movie, my expectation was sky high because of Christian Bale's presence. After all, he helped transformed the Batman franchise from a cheesy cariacature into a smart, dark tale of an antihero. Unfortunately, it was just another ho-hum action movie.

3. HawthoRNe. The only reason I even attempted to tune in is because I desperately needed my Michael Vartan fix. And hey, I've always liked Jada Pinkett Smith. But even Vartan's pretty face couldn't save this insipid mess - made all the worse because Showtime released their very own - and far superior - show around the same time, Nurse Jackie. Jada couldn't hold a candle next to the sharp, dysfunctional Edie Falco. After just one painful episode, Alexander Sarsgaard officially replaced Michael Vartan as The Love Of My Life.

2. Every other episode of Glee. *Sigh* I love this show, I really do. But I'm starting to think Glee is just a wee bit bipolar. It alternates weekly from frakking amazing to painfully disappointing. I feel like if you took every all the even numbered episodes, you'd have a near-perfect season.

I don't know, maybe it is because after a fantastic episode, I'm riding a high and have unrealistic expectations. But I've almost never watched a show where the quality vacillates so wildly from one extreme to the other - it's usually more of a trend, when a story arc, character development, or entire season goes bad. The only the exception is the last of half season of Battlestar Galactica. Which leads me to...

1. Battlestar Galactica - "No Exit" & "Daybreak". Jeez, people! I know you only have a handful of episodes to wrap up your epic story, but did you really need to have an entire hour of exposition to explain the Final 5 Cylons? Where is the fun of the reveal? It just felt like a completely cheap way of tying off one of the biggest, most fascinating mysteries in BSG history. Boo!

And the series finale. It's been months since I've seen it, and I just grow more and more disappointed every time I think about it. There were some clever moments in there, like at the end with Six and Gaius, but for the most part - huh? Let me count the ways in which it sucked: Starbuck. Bill abandoning his family. Ron Moore inserting himself at the end.

I know that a lot of shows start off great, and then slump in quality over the years until they are mercifully put out of their misery, but I did not expect this from BSG. Besides the fact that BSG is probably one of the most powerful, well written, intelligent, and well acted shows to ever grace the small screen, Moore had plenty of notice as to when the series was going to end. So he could have crafted a well thought out way to wrap up his masterpiece. Also, the first half of Season 4 wasn't bad at all. So, um, what happened?

Honorable Mention: Twilight-mania. Can someone explain to me why people find Edward Cullen swoon-worthy?

Happy 2010, everyone!

Best of 2009 - Sandy's take (drnanamom)

My favourite shows of 2009 were Dollhouse, Supernatural, Glee, Castle and Lie to Me. Intelligent television is hard to come by but I think this year gave us some interesting plot lines, moral debates and just plain fun.

2009 Favorites -- Jess's Take

While not necessarily the best of what TV had to offer this year, here are the shows that I most looked forward to in 2009 and was least likely to let stack up on the DVR (in alphabetical order).

My favorite TV of 2009

It's the end of the year, and year-end "best of" lists are cluttering up the internet. So I thought I'd add to the clutter. Here are my favorite television shows of 2009.

Doctor Who: The End of Time, Part 1

The Narrator: 'This was the day the Time Lords returned. For Gallifrey! For victory! For the end of time itself!'

With the exception of 2005's 'The Christmas Invasion', Yuletide episodes have never been the show's strong suit. After season three's 'The Last of the Time Lords', I had visions of this year's offering being another gag-laden, testosterone-fueled, face-off between the Doctor and the Master—high on festive cheer, but distinctly lacking in satisfying storytelling. How wrong I was. I was pleasantly surprised by this episode. It wasn't perfect, but the flaws were minor and the storytelling epic. I even enjoyed the Master's return! How's that for a Christmas miracle?

Dollhouse: The Attic

Clyde: "This isn't a nightmare. This is the shape of things to come."

Wow. And it bears repeating. Wow.

Doctor Who: Journey's End

Doctor: 'Now then, where were we?'

The faces on Donna, Jack and Rose following the Doctor's aborted regeneration were hilarious. All that tension and upset, dissipated by the Doctor directing the excess regeneration energy into his severed hand, and reverting back to his usual, chirpy self. Not the best way of resolving the cliffhanger, but to be fair, barring an actual regeneration, there was no credible way out. They did their best, bless 'em—but there was a slight whiff of cop-out in the air.

Avatar

Since seeing Avatar on opening weekend, I’ve read a number of reviews and comments, most of which seem to fall either into the “This is the most awesome movie I’ve ever seen --- James Cameron is a god,” category or the “Who cares about the special effects when the plot was tired and the characters were one-dimensional” category. I didn’t find too many “somewhere in between” opinions (perhaps due to the general nature of commenting on the internet). It seems you either love the movie, or hate it. I’m actually somewhere in between. I didn’t think it was the greatest movie ever, and it wouldn’t make my list of all-time favorites, but I really enjoyed Avatar and it completely lived up to my expectations.

Dollhouse: Stop-Loss

Priya: "Do you think that was our first kiss?"

I really wanted to see Victor's backstory before the end of this show, so thank you, Joss Whedon. Too bad this wasn't enough, since it's probably all we're going to get.

Doctor Who: The Stolen Earth

Doctor: 'I'm sorry. It's too late. I'm regenerating.'

When I first saw the end of this episode, I was totally blown away. I remember looking at my friend in bewilderment, and wondering what the fuck had just happened. Was the news that Tennant had signed on for five more episodes mere propaganda designed to disguise Russell T. Davies dastardly master plan? Was the Doctor really going to regenerate? And, more importantly: who was he going to regenerate into?

Doctor Who: The Waters of Mars

Doctor: 'Is this it? My death? Is it time?'

This was a real landmark episode. In terms of quality, it was head and shoulders above 'Planet of the Dead,' it was beautifully plotted, featured terrifying monsters, and was thick with complex adult themes. Tonight, the Doctor attempted to change the rules of the game. Instead of being hampered by the restrictions of being a Time Lord, he tried to change an event fixed in time, and it all went Pete Tong. People died, and despite his best intentions, the tenth Doctor moved one step closer to his own destruction.

Doctor Who: Turn Left

Fortune Teller: 'Turn right and never meet that man. Turn right and change the world.'

Choices change lives. Even seemingly insignificant decisions can alter our lives irrevocably, and tonight Donna was faced with a relatively small dilemma. Should she turn left, or should she turn right? 'Turn Left' explored the would-be consequences of her turning right.

Doctor Who: Midnight

Doctor: 'Ah, I'll be fine. Taking a big space truck with a bunch of strangers across a diamond planet called Midnight—what could possibly go wrong?'

They did things differently this year. Since 2006, each season of Doctor Who has contained what's lovingly referred to as a Doctor-lite episode. If it wasn't for the now traditional Christmas episode, there'd be no need, as there'd be more than enough time to film all thirteen episodes—but since Christmas wouldn't be Christmas without a festive Who, concessions had to be made, and the Doctor-lite episode is it.

Doctor Who: Forest of the Dead

The Doctor: 'Stay with me! You can do it! Stay with me! Come on!! You and me, one last time!'

Well, perhaps we didn't get all the answers we were looking for, but there was more than enough good stuff in tonight's episode to compensate—particularly if the hanging threads are picked up in a future episode. Each season of Nu-Who (so far) has produced at least one stand-out story worthy of our praise. This was probably season four's.

Dexter: The Getaway

Trinity: "If I were you, I'd give up vigilantism. You're not very good at it."

What a shocker. I was expecting something big, but not this.

Doctor Who: Silence in the Library

Doctor: 'Spoilers!'

What is it with Steven Moffat and stories which play on our childhood fears? In season two we had monsters under the bed ('The Girl in the Fireplace'), in season three we had statues coming to life ('Blink'), and now, and arguably most terrifying of all, apparently there are things hiding in the shadows after all. Which isn't great news for adults, let alone children.

Glee: Sectionals

Ms. Hitchens: "What happened to that white guy with the Jheri curl?"

After waiting for what felt like an eternity, Sectionals finally came. Was it worth the wait? Certainly, there were some episodes this past Fall that felt unnecessary - not just filler material, but ones that brought down the overall quality of the show. But I would say that "Sectionals" provided a satisfying ending to the first half of one of the freshest, funniest shows I've ever seen, and has nicely left the rest of the season wide open.

Dollhouse: A Love Supreme

Echo: "He's ten times the man you are. And you're, like, forty guys."

Alpha! You're back. And you brought your knives!

Dollhouse: Meet Jane Doe

Echo: "There is a me. This is me."

So let's see. Our two romantic leads had very little in the way of romantic connection, so they removed them from the Dollhouse for three months and slapped them together.

Doctor Who: The Unicorn and the Wasp

Agatha: 'Agatha Christie.'
Donna: 'What about her?'
Agatha: 'That's me.'

Agatha Christie's disappearance in 1926 was one of those weird events that we'll likely never get to the bottom of. (Despite many books telling us that they've got to the bottom of it.) 'The Unicorn and the Wasp' was a fun attempt at explaining Agatha Christie's whereabouts during those eleven missing days, and what with details being as scarce as hen's teeth—and Agatha not bothering to elucidate in her autobiography—attributing her disappearance to a giant wasp seems as good a solution as any.

Fringe: Grey Matters

“We didn’t get any answers.”

Those are Olivia’s words to Broyles, and they felt like a shout-out to some of the fan frustration about the lack of solid answers to the many mysteries of Fringe. But as Broyles said, we did get some answers, although maybe not the ones we wanted. We also got some ret-conning, which we neither needed nor wanted. Well, I didn’t, anyway.

Doctor Who: The Doctor's Daughter

The Doctor: 'You need to get yourself a better dictionary. When you do, look up 'genocide.' You'll find a little picture of me there, and the caption'll read, 'Over my dead body.'"

This could have been a great episode. I loved the idea of the seven day war and the concept of two opposing armies, continuously being recreated, for the sole purpose of fighting a never ending war. I also liked the idea of the progenation machine taking the Doctor's diploid cells, splitting them into haploids and then recombining them to form Jenny—the Doctor's daughter. But the episode just wasn't long enough to do all of the plot elements justice. They should have either made it a two-parter, or shaved off some of the unnecessary plot divergences. It may have felt less rushed that way.

FlashForward: A561984

“The game’s not over.”

I know we’ve all be underwhelmed by FlashForward lately. ShowRunners being replaced like Spinal Tap drummers. Bizarre, emotional one-offs that do nothing to further the deepening mystery. Darling Dominic Monaghan only popping in to boost ratings. Poor Joseph Fiennes struggling with his accent and not even trying to act convincingly. And the causality-loop consciousness-shifting plot device that’s getting increasingly less coherent.

But, my FairWeather FlashForward Fans, I encourage you to give the show another shot. Take your time; we’re on hiatus until March. But this episode wasn’t too shabby, and the previews for the next batch look really exciting.

Dexter: Hello, Dexter Morgan

Dexter: "I need to be a good brother now so that I can be a good serial killer later."

This season's big theme has been Dexter realizing that he can't have a family and a secret life at the same time. He still hasn't internalized it, though; there he was, torn in six different directions, and he was still determined to frame that truck driver so he could kill Trinity himself. I kept wanting to bop him on the head and say, Dex, will you please just let Deb and Miami Metro have the guy? Oops. Too late.

Doctor Who: The Poison Sky

Doctor: 'Are you my Mummy?'

For all this season's faults, I couldn't take my eyes off Tennant tonight. His first season in charge was a patchy affair—the scripts alternated between brilliant and cack with tedious regularity—but at this juncture, he's in serious danger of toppling Tom Baker as my favourite Doctor. The dialogue was perfect, his delivery sublime. He totally inhabits the role now.

Stargate Universe: Justice

‘Justice’ was a pretty solid episode. Definitely a vast improvement over last week’s offering, and a good cliffhanger to leave us with until April. (Yes, April. According to what I’ve read, that’s when the second half of the season will start airing. Pretty normal cable scheduling.) I think what I liked best about this week’s episode was that they managed to effectively use the entire core cast. Some characters had more to do than others, but for once everyone had a contribution that felt like more than mere background dressing. Yea!

Dollhouse: The Left Hand

Topher: "Is it weird that I asked about your arm?"
Bennett: "Honestly, it's refreshing."

The entire episode was terrific. But Victor out-Tophering Topher was just perfect. Possibly my favorite scenes in the entire series.

Dollhouse: The Public Eye

Echo: "I think her bad guys are badder than my bad guys."

What an exceptionally cool episode, with an exceptionally cool twist. There wasn't a moment that I didn't like.

Fringe: Snakehead

“I didn’t know.”

Fringe hasn’t really been doing it for me lately. The individual episodes have been solid, but I don’t feel an “Oooh! Fringe is on tonight! What will happen this week?” twinge on Thursdays. It looks like this season is structured sandwich-style: mythology bread at the beginning and end of the season, and meaty stand-alones in the middle, with occasional mustardy dabbles of pseudo-arc like last week’s episode.

Glee: Mattress

“We here at Mattress Land believe that mattresses aren’t just for sleeping and fornicating anymore.”

Wow. Wow. There wasn't a single moment that I did not like in "Mattress". I cried, I laughed, I smiled, I screamed, and I absolutely cannot wait until next week's episode.

Doctor Who: The Sontaran Stratagem

Donna: 'He's too skinny for words. You give him a hug... you get a paper cut.'

A triple whammy of returning fixtures tonight, with the Sontarans, UNIT, and the ever lovely Miss Jones. 'Daleks in Manhattan' and 'Evolution of the Daleks' were two of my least favourite episodes of season three, but this felt like a redemption of sorts for Helen Raynor. The Sontarans haven't been in an episode of Doctor Who since 1985's 'The Two Doctors'. How well did they fare in a modern context? Pretty well, I'd say.

Doctor Who: Planet of the Ood

Solana: 'And the comedy classic... Ood, you've dropped something.'
Ood 3: 'D'oh!'

I just knew there'd be some insidious plot behind the Ood's subservience. Voluntary slavery is a tough concept to grasp—especially when you're being treated like crap. That's not to say it's impossible, it just seems to go against all that's natural. So tonight's reveal gave rhyme and reason to our tentacled friends' lack of resistance. They were being exploited, after all. Surprise, motherfuckers!

Heroes: The Fifth Stage

*sigh*

Back in season one, Nathan Petrelli was one of my favorite characters. He was so cool, so ambiguous, so difficult to figure out – and yet, he was tremendous fun, too. ("Flying man!") Adrian Pasdar was awesome. I loved him.

Glee: Hairography

Brittany: "It's like cool epilepsy."

Oy. "Hairography" was definitely, well, hairy. While there were some good moments and cute one-liners in the episode, overall, I didn't love it. I almost think this one should have been titled "Wheels", because it felt like everyone was spinning their wheels in the mud but getting nowhere.