Faced with having to put surveillance equipment in the Secretary of Defense’s office, Elizabeth and Philip try to blackmail his maid into stealing and later replacing his clock. Thrown into the mix were Philip’s blonde bombshell asset, a caviar embezzling embassy employee, and the Jennings’ paranoid neighbor Beeman.
I wasn’t blown away by the second installment of The Americans. I think I was thrown by the change of pace. The pilot barely left its audience time to catch their breath, but things slowed down considerably this week and took a turn for the philosophic. “The Clock” is about limits. How far would you go for your family? How far would you go for your country? It’s risky for a show to pull an abstract morality episode this early, but it worked.
The Americans is already engaging morality more than my all-time favorite spy show. I like it. Elizabeth and Philip aren’t excused for their actions, nor are they vilified. It would be easy for the show to take sides in the matter, but, from my perspective, it is so far remaining rather neutral. Directorate S is not “evil” any more than the FBI. Elizabeth and Philip were willing to kill an innocent young man for their country, but Beeman was willing to let his partner torture a man for information. There is no “right” side here.
Last week we saw Elizabeth exchange sex for information. This week was Philip’s turn. I was immediately thrown by the notion that Philip (a.k.a. Scott) would cheat on Elizabeth. Last week suggested that he cared for her more than as just a partner. I suppose it’s just another instance of how far the Jennings will go for their country. Annelise is not my favorite character. She’s needy and annoying, not to mention stupid. I’m already sort of hoping she meets a messy end.
My favorite part of the episode was the exploration of Elizabeth’s complicated relationship with her budding mallrat daughter Paige. I like the generational conflict between mother and daughter. It is of course complicated by cultural differences that Paige does not even know exist. Elizabeth referred to Paige this week as “delicate somehow.” Last week she dismissed Americans as weak. I wonder if she’s not a little disappointed in her daughter’s weakness/delicateness and her Americanness.
The ear piercing scene was, for me, the highlight of the episode. In piercing her daughter’s ears just as her mother pierced her ears, Elizabeth is endeavoring to bring her daughter closer to her. Paige is coming of age in the 1980s in the US, while Elizabeth grew up in the USSR. They likely have very few shared experiences. Now they have one. At least that’s all I thought was going on at first. Then Paige bled onto her bed. The blood on the bed sheet was a clear symbol of loss of virginity or, taken less literally, loss of innocence. By piercing her daughter’s ears, Elizabeth was in a way letting her daughter go and acknowledging her nascent adulthood.
Soviet Bits & Communist Pieces:
Elizabeth wore a blonde wig when she seduced that guy from last week. Annelise is blonde. The stereotype is clear. I take comfort in that both the be-wigged Elizabeth and Annelise are platinum blondes, while my hue falls more into the honey range.
I loved the opening credit sequence. It reminded me of True Blood’s.
The office Elizabeth and Philip were trying so desperately to bug belonged to Caspar Willard Weinberger, the second longest serving Secretary of Defense ever.
I was curious to see how much beluga caviar would cost today, but I discovered that importing beluga caviar into the US is illegal as the Beluga Sturgeon is critically endangered.
I love my mother very, very much, but I never would have let her pierce my ears.
Elizabeth: “You never said she looked like that.”
Philip: “Yeah I did.”
Elizabeth: “Not like that.”
In Philip’s defense, she is usually clothed.
Beeman: “Should we beat him senseless?”
Amador: “I don’t know. He’s kind of big.”
Philip: “Don’t start with the pie this time.”
Henry: “Why? You let me eat the pie first last time.”
Philip: “I know and that was a mistake.”
Paige: “Mom, things are different than when you grew up. People are like, freer.”
Philip: “Coming to you live, from the home of the Secretary of Defense.”
Elizabeth: “Still joking. That’s a good sign.”
Hi-Fi Guy: “You can’t do this.”
Beeman: “I can’t. You’re right. But him? He’s one of three minorities we have at our headquarters. They can’t fire him. He can pretty much do anything.”
Philip: “There’s been a misunderstanding between you and your Lord.”
Beeman: “Well, that was the president.”
FBI Guy: “That wasn’t the president.”
Beeman: “It was the chief of staff, but still.”
So far Beeman is the only funny character on the show.
three out of four clocks