"You better save the children because I'm going to burn this place to the ground."
I imagine this episode is going to be divisive. Not only did they leave things on a cliffhanger, they barely resolved any of the long running plots.
That being said, it was really fun to watch as the children took over. Wendy taking lead dolled out orders, with Nibs being her violent enforcer and the rest being way more effective than the season so far would've led us to believe was possible. Systematically they captured everyone of importance, the rest killed off by the xenomorph.
Speaking of Wendy and her incredible power up: she had already been fairly busted power wise, as an immortal hybrid synthetic with the ability to speak and control xenomorphs. But her previously known ability to connect to cameras expanded tenfold and now she can control anything on the network including Synths. I really don't know how I feel about that change, although it did make for some impressive moments scene to scene.
One of the final reveals is that Atom is a Synth, and that may have been one of my favorite scenes. Although Hermit continues to have sibling plot armor as he escaped Mr. Eye like three times at least. I did love how Wendy just stopped Atom in mid-motion and he was just trapped like a statue, only able to move his eyes. It was a perfect example of how the show thumbs its nose at authority but also comments on the arrogance and entitlement of the rich and powerful.
This power shift is even more impactful in the scenes with Boy Kavalier as he strolls into the prison cell expecting one outcome and ends up running for his life when his toys turn against him. Yet at the end, despite being tied to the wall of a prison cell he smiles, as though his grand schemes were playing out exactly as he envisioned. Or perhaps he is just pleased with the idea that the children will be running the show. He is obsessed with Peter Pan, after all.
Morrow got a chance to finish the job and just kept getting hammered down. Much like his reference to John Henry, he lost due to exhaustion, his human body failing him. Plus he got knocked in the head by Slightly, which was more than a little satisfying. What I found even more satisfying was that he ended up in the cell with the rest of the adults, all lumped together as the real antagonists of the show.
What was even more telling was that Hermit ended up grouped with the children, free and clearly conflicted by who his sister has become. Yet he has also been a victim and pawn of nearly everyone in power up to this point – contracted by Prodigy, manipulated by both Kirsh and Atom, ignored and set up by Boy Kavalier more than once, and finally Morrow treated him as a speedbump instead of an ally. He has also been consistently on Wendy's side, despite his choice to subdue Nibs in the last episode. If the show does continue, I'll be curious to see their dynamic going forward.
Which brings me to the point of all of this. We were asked the question early on – what happens when you try to blend human and artificial? The answer they have come up with is fascinating. We have been shown the limits of a cyborg, how their human side is both fragile and constraining. We've been shown how synthetics are powerful and brilliant, but emotionally blank with a tendency to be both cold and cruel.
These hybrids really are a massive jump in a new and exciting direction, with terrifying potential and possibly devastating consequences. They are immortal beings with nearly unlimited power. I think the real point being made here is that all roads are incredibly dangerous. Like trying to weaponize a xenomorph, it would be incredibly foolish, reckless and arrogant to pursue any of these technologies.
This has been a weird ride, as both a loyal Alien spin-off and a story that could've stood alone as something wholly disconnected with this franchise. Does the presence of the xenomorph add to the show? I believe it does, especially the connection Wendy has with the creature. But I'm wondering if perhaps this would've been a stronger show without the franchise elements. Either way this was a relatively strong first season with a very distinct storytelling style and visual aesthetic.
Bits:
The music at the end was Pearl Jam: "Animal."
While it was a fun and intense scene, why does an elevator have a self-destruct?
The circular cages were interesting aesthetically, and I liked how the kids posed the adults like toys on a shelf.
No more deaths except for glorified extras like Siberian.
Boy built his own synth and used it to kill his own father, then had that synth pose as his father. No wonder he has issues with parental figures. He is also clearly a sociopath. I really wanted Boy Kavalier to die, damn.
Mr. Eye found Arthur's body. We also got a scene of the xenomorph finding Arthur's body and having a small interaction with a crab. It was kind of creepy and cute.
The final alien was revealed and I'm a bit disappointed. It is basically an evil umbrella plant thing, which is exactly what I imagined it would be.
So a couple of corrections from my review last week:
Tootles was Steven and Smee was Chris. I loved the small tribute to Steven/Isaac by the kids.
Curly or Jane is definitely not Dame's biological daughter evidenced by both Dame and Jane's actions and lack of emotional connection.
Quotes:
Atom: "Who would make children immortal? An eternity of, 'Are we there yet?'"
Dame: "Wendy... darling. Whatever I did, I'm sorry."
Wendy: "No, you're not. You think you're a good person who did good things. All you did is put six children in the ground."
(Which is exactly what Arthur said a few episodes ago.)
Morrow: "You know the story of John Henry and his ten-pound hammers? All night long, he drove that steel, fighting the machine. Who can dig deeper, faster? In the end, man will always win. It's a question of will."
Kirsh: "Didn't John Henry die of exhaustion?"
Morrow: "Well, I'm just getting started."
Hermit: "It's comp..."
Wendy: "Don't say complicated. That is what powerless people say to make doing nothing okay."
Morrow: "Feels good, doesn't it? Being more than human. But there is a price. When the corporation gives you something, there's always a price. Do you know what it is?"
Hermit: "Everything."
Morrow: "Everything doesn't begin to cover it."
While this does not fully wrap things up in a neat bow, I did find there was enough emotional resolution to move on if this show doesn't get a second season. Your mileage may vary when it comes to this finale, but ultimately it was an interesting and engaging season.
3 out of 4 Twists, reveals and cliffhangers
Samantha M. Quinn spends most of her time in front of a computer typing away at one thing or another; when she has free time, she enjoys pretty much anything science fiction or fantasy-related.
Umph.
ReplyDeleteI made it all the way through, and I'll say this: the actors did a fine job with what they were given. The production design was awesome, blending the original feel of Alient's 40-year-old tech with more up-to-date materials and technology; someone should win an award for that. There were occasional bright patches of dialogue. The world-building is not bad, providing some insight into the corporatised Earth of the future.
But, overall, it's a disappointment. The logical and dramatic flaws in the series are so great as to render it ridiculous. I mentioned earlier the totally unbelievable crash of the ship and the way in which biological specimens were stored and studied. There's the willingness to despatch very expensive, prototype devices (the Lost Boys) to a dangerous, potentially lethal environment for which they have no training. The decision to show the xenomorph in daylight, file its teeth down, and render it subservient to Wendy (a) undermines everything we know about the xenomorphs and their behaviour and (b) robs it of its terror and mystery by making it the size and colour of a large brown Labrador instead of a dark, seven-foot, heart-stopping demon. Also, these guys know about the xenomorphs and their lifecycle; how is it they don't have weaponry and containment systems adequate to control it or destroy it? How does the eyeball creature animate a corpse (Arthur) whose internal organs have been Cuisinarted through its chest? Even assuming the brain has remained somewhat intact and connected to the central nervous system, what's keeping the thing going?
Not a fan of the end-credit music choices, either, but that's just me. I do like the music that follows them; should have had more of that.
Gaping logical holes and stupid decision-making by the characters make one think that, whatever they spent a quarter of a billion dollars on, it wasn't the screenplay. Sadly, I'm in no hurry for the second series to arrive at this point. Maybe I'll watch, maybe I won't; that's not what I thought I would feel when I started this one, but it's certainly how I feel now. Meh.
I mostly agree with NomadUK. In addition, I will say that Wendy/Marcy's decision to release the xenomorph in episode 7, with absolutely no qualms about the widespread killing of other people that would result, was a low point for me. Also, there was another problem earlier in the series. We found out that the Maginot was sabotaged by Petrovich in a deal he made with Kavalier to crash the ship into a Prodigy-owned city But what is not explained is why Petrovich sabotaged the alien containment area to release the face hugger onto the crew. Why was that necessary?
ReplyDeleteAlso, by the end of the series, it felt like the xenomorphs had really faded in importance. They were basically just minor side characters in the battles between the kids and adults and between Yutani and Kavalier. In the other installments in the franchise, the xenomorphs are one of the two main antagonists (the other one being evil/greedy humans, e.g. Weyland-Yutani). But this time I almost forgot that I was watching an Alien story, since they were so unimportant by the end.