Destination: Marin County, California.
"You can't hurt a man who ain't got nothin' left."
As I sit down to review this episode, I'm thinking two things: One, I don't want to have to follow Heather's great review of 'First Person Shooter', and Two, I have literally no memory of this episode. Granted, when I watched through all of the later seasons of The X-Files on DVD, many years after I followed the show through seasons 1-4 as they aired on British television, I had the flu, so I may actually have slept through it. But I think the content of the episode is at least partly to blame as well.
Some critics feel this episode is underrated, and it's true that, unlike the previous episode, there's nothing objectively terrible about it. However, there's really nothing very interesting about it either. The story isn't terribly interesting, and Billy Drago somewhat overacts as villain Orel Peattie. The great Kim Manners' direction is fine, and very classic X-Files, pleasingly reminiscent of season 1 - but it's reminiscent of some of the duller, more pedestrian moments of season 1, unfortunately.
One of my pet peeves in television criticism is the slamming of standalone stories in long-running series as "filler" episodes, that are by their nature not as interesting as story-arc based episodes. I don't believe that's true. Many of my favourite shows are composed primarily of stand-alone stories (Star Trek's The Next Generation and Voyager, for example) and many of The X-Files' finest hours were Monster of the Week stories. A great short story, told well, makes a really satisfying episode of television.
However, I wonder if it's episodes like this one that get standalone, or Monster of the Week, stories such a bad reputation. The primary story in this episode, the short story that makes up the Monster of the Week tale, is rather dull and bland, a basic case of Hollywood voodoo. As a viewer, you're left wishing that this bland story was lifted by some more entertaining Mulder and Scully interaction and perhaps a movement in the overall story arc, fitting the episode into the bigger picture so that it doesn't feel like a waste of time. A stronger Monster of the Week story wouldn't leave the viewer feeling that way - but a weaker one like this one does.
- The bit where Scully is blinded by voodoo is quite scarily effective. And then she kicks ass anyway, of course.
- There is a really interesting moment at the end where Scully seems to wonder whether Peattie could have saved his daughter's life with voodoo. She seems, finally, to have left her entirely sceptical days behind.
- Scully mentions eating brains as a bad idea. If I recall correctly, Mad Cow Disease came about partly because cows were fed sheep's brains (or something). Conclusion: eating brains is bad and may bring about the zombie apocalypse.
Mulder: The disease New Guinea tribesmen get?
Scully: From eating the brains of their relatives.
Mulder: And I thought my grandpa slurping his soup was bad...
Final analysis: Meh. Two out of four brains.
Juliette Harrisson is a freelance writer, classicist and ancient historian who blogs about Greek and Roman Things in Stuff at Pop Classics.
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