Glee: Wheels

Sue: "If I have a pregnant girl doing a handspring into a double layout, the judges aren't going to be admiring her impeccable form. They're going to be wondering if the centrifugal force is going to make the baby's head start crowning."

What a wonderful and unexpected return from hiatus. I was expecting Glee to come back with a bang - all bite, snark, and over the top drama. Instead, we were treated to a sweet and sincere episode that focused on some of our supporting characters: Artie, Kurt, and Tina. What a way to get, er, rolling after the 3 week break.

Artie! Tina!

Artie has always been a favorite of mine. Every time I listen to the Glee version of "Push It", I crack up when I get to his "Holla!" And he's got incredible talent - just listen to his solo on the "It's My Life/Confessions" mash up. No offense to our resident Glee stud, but Artie totally punks Finn in that number.

So I was pretty excited to have an episode centered around Artie. There were so many excellent moments in this storyline, ranging from poignant (Artie's acoustic version of "Dancing with Myself"), brilliant (Mr. Schue's plan to have everyone be in a wheelchair for 3 hours/day), to plain hysterical (when Artie told Tina how he became handicapped, concluded with, "But I want to be very clear. I still have the use of my penis."). I especially liked watching the kids roll around the halls in wheelchairs, and seeing the challenges of not being able to reach, or being at waist height. It's a good thing that Rachel's dads are apparently rich; that girl gets more food on her clothes than an episode of Double Dare.

His crush on Tina was adorable, and I totally melted (puppy love!) when she kissed him. At first, I couldn't understand why he kept bringing up her stutter, but her admission that she was faking made sense. Even though I felt his reaction was a little harsh, I can totally understand where he's coming from: she was pushing away everything that he wished he could have, and she could be normal at any point, but he was still stuck being handicapped. I hope that he'll come around and forgive her - even if he identified with her initially because of their disabilities, the connection and the friendship is based on much more than that.

But I have to admit that Artie's story felt a little lacking. It might have been because he was sharing the episode with Kurt and Puck/Quinn, but I don't feel like I got to know his character any more then I already did. Sure, we found out how he became handicapped, but we didn't really learn about his history, how it changed him, etc. It would have been interesting to see if Artie would still be the jazz/Glee geek if he hadn't gotten into the accident.

Kurt! Kurt's Dad! Whose name I don't know!

There should definitely be more diva-offs in Glee's future - the Kurt/Rachel rivalry was terrific! And there are certainly more then enough divas to make for lots and lots of Broadway duets and Mariah Carey solos. I'm glad that Kurt finally had an opportunity to showcase his singing talent. Even though the "Single Ladies" episode was centered around him and his sexuality, he danced more then he sang. I have to say, hitting that high F was pretty impressive - I talk like Minnie Mouse and I can't even get close.

Of course, the best part about Kurt's storyline tonight - wanting to have the Wicked solo, even though it was a traditionally female part - was his relationship with his father. When we first met Kurt, I figured he had a rich, neglectful daddy, since he had that sweet car and all this designer clothes. Finding out that his dad owns an autobody shop and is sort of this guy's guy that works with his hands was a nice surprise.

The relationship between Kurt and his dad is a lovely anchor, in a show where most families are completely, outrageously dysfunctional (ahem, Terri). It also seems fairly realistic. Since I'm not a gay teenager in the middle of whitebread America, I can't comment on how realistic it is, but there are too many shows/stories where the focus is all about the character coming out, and whether or not their family will accept them. Once that happens - nothing. It was nice to watch Kurt's dad continue to struggle and understand his son's sexuality, the conflicting reactions he had to that phone call (both resentment at Kurt initially, then anger at the caller), and trying to support his son, even if he couldn't really understand why it was so important to him. Mike O'Malley did a knock out job - I hope we'll continue to see him.

I'm bummed that Kurt threw the diva-off, but his reasoning made me tear up. And Kurt changing from his Alexander McQueen sweater into coveralls to work on a car with his dad spoke volumes about their relationship. I'm hoping that we'll eventually get to see all of the kids with their families - especially Quinn.

Becky!

I'm going to skip the Quinn/Finn/Puck baby money storyline, and wrap up with some Becky moments. She wasn't a prominent character, but her role in the episode certainly revealed a lot about our other players.

First, Will. I'm really mixed about Will. I mean, he's an awesome guy, a teacher who really cares, and he does have the best intentions. As I said before, his wheelchair idea was brilliant. But let's be honest - sometimes, he's a dodohead. In a way, I like it - it's nice that he's far from perfect, and that he's human like the rest of us with good intentions. At the same time, he was judging Sue just as much as he accuses her of judging other people. I know he genuinely thought he was helping Becky when he chastised Sue for being so harsh, but he totally didn't get it: Becky does want to be treated like everyone else, Sue-torture or not. And let's not even talk about how he hasn't figured out that his wife has been faking a pregnancy for like 3 months!

The Sue reveal at the end was just... whoa. I don't want to say it was shocking, but I didn't see it coming at all. I totally misted up when she gave her sister the pom-pom, and the tenderness and love in her face when she read Little Red Riding Hood was probably the first genuine Sue moment we've seen. We started to see little cracks in her facade with the Sue-Will throwdown, and the Rod situation, but let's face it - the Rod/Sue storyline was cheesy and cheeky, and only showed that Sue could be vulnerable.

I do hope that the writers bring back inappropriately snarky Sue, though - we need that bite to balance the softness, and it's just not nearly as funny when she's a human being :-) And if Jane Lynch doesn't win an Emmy, I swear, I'll eat Kurt's tiara collection and puke it over the Emmy voters.

But I have to tell you, my favorite favorite moment was when Brittany bought Becky a cupcake. No analysis. It was just sweet and simple and wonderful.

The Music!

Here's this week's musical, er, score. (Sorry, I can't seem to stop punning tonight.)

+2 for Artie's acoustic version of "Dancing with Myself". It took me probably 20 seconds to even recognize it.

- 1 for replaying the original Billy Idol version while the kids were struggling with the wheelchairs. Hello, overkill? They did the same thing with "Single Ladies" - hilarious as it was, it lost it's impact by time #3

- 1 for the sluggish beginning of "Proud Mary", but +3 for when they cranked up the energy. It rocked.

-1 for the wheelchair choreography - interesting, but not exciting. I was expecting to see some wheelies. But +10 because their hands were so busy with the wheels that they couldn't reach anywhere.

+2 for giving Tina a chance to perform on "Proud Mary". She's pretty incredible. I was just thinking the other day that they need to have more females than Lea Michele singing.

+2 for the spliced in duet on "Defying Gravity", but -1 because it would have been more interesting if there was no Rachel singing at all this week.

Total: 15. Not too bad, given the number of points they gain for excluding The Reach.

GLEEful Moments 'n Quotes:

-- No Emma, Ken, or Terri tonight (thank God), but we... got... SANDY!!! More Sandy! More Sandy!

-- Sandy (after Puck tells him a shark fractured his spinal cord): ''This is why I don't go to the aquarium."

-- Puck's good at 2 things: Lying, and crime. I have to admit, the pot cupcakes were rather ingenious, especially since Puck "[doesn't] put in enough to get you hallucinating... just enough to give you a wicked case of the munchies.

-- Baby with a mohawk! That would be so very awesome.

-- Brittany: "Most of us don’t know how to bake. I find (pause) recipes (pause) confusing."

-- Kurt: "At least you don't have to worry about me getting a girl pregnant."

-- Sue: "I’m about to projectile-express myself all over your Hush Puppies."

-- Rachel: "We didn't think you would take it personally."
Artie: ''Well, you're irritating most of the time, but don't take that personally."

This one was so good, I have to mention it again:
-- Artie: "But I want to be very clear. I still have the use of my penis."

-- Fashion of the week: What was with Quinn's outfit in the first scene? She looked like a walking US propaganda poster, all red, white and blue.

-- Kurt: "We all know I'm more popular than Rachel, and I dress better than her."

All in all, I thought it was a nice, sweet episode. I like it when Glee balances its crazy, snarky over-the-topness with some more low key episodes. I only wish that they had focused on Artie more. It did feel a little like they were trying to get all of the "miscellaneous" characters stories out so that they could move on.

2.5 out of 4 wheelchairs.

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