by Josie Kafka
There are numerous discoveries in this episode, from Bobby finding the tape in Leo’s shoes to Cooper and Harry finding Laura’s Secret Diary. (The “Secret” part seems to be embedded in the name.) Even Mr. Tojamura’s real identity is finally revealed to be—Katherine! Not the restaurant critic after all, eh? Oh, and we find out who killed Laura Palmer.
It takes us a while to get there, thought, as the first 25 minutes of this episode seem like more of the same: crazy Nadine, Audrey and her father working through their issues, Shelly’s money troubles, Pete and Katherine reuniting.
Although the last few scenes are what we’ve been waiting for all this time, I think my favorite part of this episode is Sarah Palmer crawling down the stairs, gasping “Leland.” Everything seems so mundane before that, and the establishing shot focuses on such irrelevant household items: a freshly-vacuumed carpet, a ceiling fan, a turntable that makes a particular clicky noise. And then, suddenly, utter physical and psychic despair. The evilest of evils takes place in a house just like any other, with all the weird creaks and objects of the homes we live in.
The giant told Cooper that “it is happening again.” And he’s not wrong: Bob, hidden inside Leland, takes the time to tie his tie and put on latex gloves while his wife is lying prone on the floor. And then Leland/Bob kills Maddie while screaming “Laura.”
Leland’s dance with Maddie is horrifying: he realizes what he has done, but wishes he hadn’t done it, but continues to inflict physical (and sexual) abuse on her. The shots of Bob are as close to rape as network TV can get, but the shots of Leland show a cleaner violence: holding her against her will but not kissing her. It’s no coincidence that Leland is wearing gloves, but Bob is not; Bob doesn’t have the civilized veneer of pretending he doesn’t want to cause pain.
Maddie says she missed having a life of her own—and with that sentiment, she probably came closer to Laura than she ever had before. Laura’s life was out of her control, both due to her own choices and to the situations she was forced to deal with, unprepared. Her life was without definition, because she was impenetrable even to herself. Maddie seemed to have a more stable sense of herself, but Twin Peaks and Leland/Bob worked their evil mojo on her just like they did on Laura.
There’s the potential for good hidden in all of that evil, though. Or maybe “good” is overstating it. There is something un-bad at work: the giant clued Cooper in, and the look on his face was one of deep awareness. In fact, the entire roadhouse seemed to be affected by Maddie’s death, even though they had no idea why: Donna was crying, Bobby nearly was. The evil that infects Twin Peaks isn’t the evil of “un homme solitaire.” It’s an evil everyone can sense, even if they never talk about, and which many people want to resist.
Clues, Questions, and Answers:
• Harold’s note said “J’ai un homme solitaire,” which is what Creepy Grandson said a few episodes ago.
• We found out why Ben Horne keeps a picture of Laura on his desk. Why he thought that helped his relationship secret is, however, a mystery for another day.
• Log Lady said, “There are owls in the roadhouse.” And that can’t be good.
• Maddie smelled something burning right before Bob “came forward” within Leland.
• Leland/Bob put a letter under Maddie’s fingernails.
Bits and Pieces:
• Nadine: “Are you in our class at school?”
Shelly: “I…don’t think so.”
• Nadine: “I am so happy, I could just kiss you to death.”
• As you can tell from the quote section, I had a lot of fun with the scene between Nadine, Ed, and Norma in the diner. Crazy Nadine is still annoying, but the bloody chocolate shake was a beautiful Lynchian moment.
• The sailors with the bouncy balls are either profound symbols of something, or complete nonsense.
• Donna hid her cigarette under the table when the lawmen walked into the roadhouse. I did exactly that same thing through most of high school.
Four out of four new shoes. After the next episode, Twin Peaks hits a rough patch as it struggles to find new drama in a town whose biggest secret has been revealed. Some of my reviews of those bad episodes will be short, but if you’re watching this show for the first time, please know that the last couple episodes—and especially the series finale—are worth the effort.
Josie Kafka is a full-time cat servant and part-time rogue demon hunter. (What's a rogue demon?)