Gilmore Girls: Season Seven

“Mom, you’ve given me everything I need.”

Although Season Six is my least favorite, Season Seven is the most controversial: with Amy Sherman-Palladino ousted as showrunner, the final year of Gilmore Girls is not quite like the other ones. I think it has good points and bad, but mostly I’m happy that—thanks to the Netflix revival—it’s not the end of the show.

The detractions have some merit: Season Seven is Gilmore Girls on decaf. No episode indicates that more than “Farewell, My Pet,” in which Michel’s dog Chin-Chin dies, and Lorelai puts on a funeral. The gag—that Michel wants a beautiful ceremony, and no one wants to give it to him—goes on far too long. In seasons past, Gilmore Girls used wacky Stars Hollow events as backdrop. Season Seven brings them, unfortunately, into the spotlight.

Some of the romantic relationships are equally controversial. Lorelai marries Christopher, which astonishes me. Rory sticks it out with Logan for far longer than I ever expected. And it takes a very, very, very long time for Luke and Lorelai to even start talking again.

Despite all that, this season does develop something the show had been lacking: female friendships for Rory. She and Lane had been close, but the events of Season Six—not to mention their rapidly-diverging lives—seemed to have pushed them apart. And this season does marginalize Lane even more, making most of her plots about the perils of being in a loving marriage that nonetheless is modeled on the Donna Reed Show: Lane spends a lot of time being a wife and mom, and very little time being anything else.

But Rory finally gets some new girlfriends! She’s always had Paris, of course, but Paris is more of a punchline than a lifeline when Rory’s in need. Her new Yale friends Lucy (Krysten Ritter) and Olivia (Michelle Ongkingco) are a nice reminder that college is when many young people make lifelong friends.

That’s something else this show gets right: the fear of post-college life. At Chilton, Rory was all aflutter about whether or not she’d get into her dream college. Once she got in, she began to think through whether or not that was the right choice (hence the dark days of Season Six). And now, she has to figure out what her dream is, and what happens if achieving that dream requires a different road than the one she’d take. Those challenges are relatable, and Rory’s rejection from the New York Times was just the right amount of pain; her new job covering the Obama presidential campaign for an online newsmagazine is a beacon of hope.

So is Lorelai’s eventual, slow reconciliation with Luke. I don’t think their relationship needed as many twists and turns as it wound up with, but I’m glad that they end the season in a stronger place than they started it in.

But, of course, the relationship that matters most is Rory and Lorelai. Their bond is strong, apparently undamaged from the events of Season Six. Lorelai doesn’t tell Rory what to do about Logan (which must have been impossible), but Rory has learned enough from her mother to know what the right choice is. As she says to Lorelai before leaving for her new job: “Mom, you’ve given me everything I need.” It’s a line as beautiful as the last shot, which echoes the bit taken from the pilot episode and used in the opening credits for seven seasons:

Highlights from Season Seven:

• Best Boyfriend: Doyle

• Worst Relationship: Krysten Ritter's Lucy and Rory's almost-ex Marty

• Saddest Moment: Lane realizing she can't go on tour with twin babies...but her husband can?!

• Best Moment: Lorelai realizing that her mother’s desire to lend her money stems from love, and is just one big trick to get the Friday night dinners reinstated.

• Worst Subplot: Three-way Tie: Emily Gilmore's DUI, Sookie getting pregnant because Jackson lied about getting a vasectomy, and Luke learning to swim.

• Best Stars Hollow Semi-Regular: Dave, who sometimes helps Lane and Zach with the babies

• Best Episode: "Bon Voyage"

I’m going to rate this 2.5 out of 4 Stars Hollows, mostly because I’m so excited for the reboot!

Josie Kafka reviews The Vampire Diaries, Game of Thrones, and various other things that take her fancy. She is a full-time cat servant and part-time rogue demon hunter. (What's a rogue demon?)

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