Smallville: Persuasion


Emil: "Dude, hasn't anyone ever told you not to inhale?"

I've always enjoyed the "cast members changed drastically by something that makes them do wildly unexpected things" plot; it can be a lot of fun and was done a lot in the first few seasons. This one seemed a bit off, though. Maybe it was because the effects of the Kryptonite "fairy dust" weren't defined well enough for me. Maybe I was expecting something more in the Valentine's Day line. Ah, well.

Lost: Lighthouse


Jack: "I came back here because I was broken. And I was stupid enough to think this place could fix me."

Just once, I'd like to start one of these reviews with "I know exactly what this meant." I don't know what this episode meant. And did they really just give us a magical lighthouse?

Life on Mars


Gene: "I think you've forgotten who you're talking to."
Sam: "An overweight, over the hill, nicotine-stained, borderline alcoholic homophobe with a superiority complex and an unhealthy obsession with male bonding."
Gene: "You make that sound like a bad thing."

This series is a gem. When I first rented it, I was expecting a procedural cop show with a science fiction twist. And it is. But it's so much more than that.

Smallville: Warrior


Lois: "What was that whooshing sound?"

Sorry about the late review. But hey, here it is, and right under the wire.

Speaking of underwires... Clark's dislike of costumes is a big theme this season, isn't it? I loved the costumes at the comic book con, especially Lois dressed as a storm trooper doing a line from Star Wars, and later on... was that a Wonder Woman costume Lois was wearing? It was darker and classier than the familiar red, white and blue.

Lost: The Substitute


Boy: "You know the rules. You can't kill him."
Man in Black: "Don't tell me what I can't do. Don't tell me what I can't do!"

Semi-big reveal, but with caveats. According to the Man in Black, the numbers represent people who are candidates for the job of Island Protector: 4 Locke, 8 Reyes, 15 Ford, 16 Jarrah, 23 Shephard, 42 Kwon. Which Kwon? Maybe it's both of them, since 42 is the big number and the answer to everything.

NewsFlash: Supernatural gets a sixth season


According to the Futon Critic, The CW has announced early pickup for five shows -- one of which is Supernatural. Woo hoo! And I quote:

"The network also renewed fan favorite SUPERNATURAL, which will enter its sixth season next year. SUPERNATURAL has one of the most loyal audiences of any show on television and does heroic work in a perennially tough time period. It has improved over last season among women and adults 18-34 (29% and 8%, respectively) this season, a remarkable accomplishment for a fifth-year show."

I know that there are fans that want Supernatural to go out with a bang at the end of this season, and I completely understand the sentiment. But it is what it is. My favorite show just got a sixth season. To paraphrase Xander: "Me love Supernatural. Supernatural on TV? Me watch."

(Okay. The other four shows were The Vampire Diaries, Gossip Girl, 90210, and America's Next Top Model. I'm sort of watching The Vampire Diaries, but not the others.)

Supernatural: My Bloody Valentine


Sam: "It's when a dog doesn't eat. That's when you know something is really wrong."
Dean: "Remarkably patronizing concern. Duly noted."

What an intense gross out hit bottom episode. Such a feel good ending, too.

Lost: What Kate Does


Hurley: "You're not a zombie, right?"
Sayid: "No, I am not a zombie."

Sounds corny, but Kate helps people -- that's what Kate does. (Well, she runs, too.) She tried to help Sawyer in the Island timeline, and Claire in the LAX timeline (just like Cassidy, who was also pregnant). And she told Claire that she was innocent. Is she? She used to admit straight out that she killed Wayne. Dwayne. Whatever. Why lie now? She didn't steal Claire's money, either.

Heroes: Brave New World


When this fourth season finale aired, we didn't know that it would be the end. Although I'll admit it did have a final bit that was fairly satisfying and would have sent the show in a new direction.

As I mentioned in the episode review slot for "Upon This Rock/Let It Bleed", I reviewed every episode of Heroes up until "The Fifth Stage", but couldn't make myself continue after the loss of Nathan Petrelli. So in order to finish the run of reviews and satisfy my urge for completion, below are links to what I thought were the best reviews of the series finale.

Jennifer Thomas at Entertaining Ideas had a somewhat positive tone:
The Heroes season finale wasn't bad, it wasn't spectacularly good either, but the last few minutes were perfect. It needed to end with something major beyond taking down Samuel, and having Claire jump to her presumed death (to the news people's eyes) only to pop that arm back in the socket one more time was the best way they could have ended the season. Here's the problem -- if Heroes does get a fifth season (and if it doesn't, despite the To Be Continued, it didn't end on a massive cliffhanger) it could set up something very intriguing, but could they deliver on that? (For the entire review, click here.)

Dan Owen at Dan's Media Digest wrote:
My expectations have deflated to such an extent since Heroes came back from hiatus that I was just relieved this finale, "Brave New World", slipped by innocuously without causing me to roll my eyes more than five times over the hour. There were even a few genuinely good moments that worked because they were logical and surprising, but unfortunately the majority of this finale was a rote conclusion that just left you feeling deflated that this -- this -- was the pay-off to nineteen hours of invested time. (For the entire review, click here.)

Matt Richenthal at TV Fanatic wrote:
For months on end, season four of Heroes has caused us nothing but anger and anguish. It's been an abysmal, illogical, slow-developing series of episodes. But we were finally able to laugh out loud at the conclusion of this week's episode, which revolved around Claire and HRG fighting. Yes, again. If that doesn't get your heart-racing for another season of this show, nothing will! (For the entire review, click here.)

Steve Heisler at the A.V. Club wrote:
I swear to God, the first line of this episode was, "Claire, help me get these rocks off." I can think of no better way to describe the ensuing 59 minutes and 50 seconds than that: Resolution via multiple deuxes ex machinas so random, it's almost as if they had no plan at all to begin with; stakes so low, it's almost like Heroes has made it its M.O. to never kill a major character (nor will they, at the very least, maim one); ideas so ill-conceived and poorly executed, you'd think the show was written by committee and the writers had given up--really been phonin' it in there for quite some time. (For the entire review, click here.)

Steve Heisler also interviewed Tim Kring right before the finale. Kring's description of how the show was written and filmed makes sense of a lot of complaints we all had about the later seasons of Heroes.

In conclusion (yes, I actually have a conclusion), I think Heroes is an object lesson on the importance of good writing. This show began with a terrific premise, several wonderful actors (one of whom was lucky enough and talented enough to jump to a major movie franchise) and a highly successful first season that gave them a huge fan base. They had it made.

And then they screwed it up. As I went to lengths to explain.

Instead of building on its strengths, the Heroes Powers That Be (and I'm not going to blame it all on Tim Kring) treated their characters with an ultimately fatal lack of respect. They didn't give characters that the fans cared about enough screen time, kept adding characters we cared nothing about, and refused to let any character actually die, even after killing them off. They constantly changed and revamped superpowers, and inserted multiple timelines that muddied up the progression of the story. Heroes became difficult to follow and a chore to review. When I enjoy a show enough to want to review it I'm rarely sorry, and I usually have no trouble hanging in until the end. Heroes was one of the few shows that I was sorry I ever started reviewing, and I felt such relief after finally dropping it like a ton of bricks.

I hope that aspiring show runners learn from the mistakes that this show made. But I doubt that they will.

Over and out,

Billie

Chuck: Chuck versus the Mask


“It’s a date.”

The time has come for our great switcheroo. Chuck is genuinely interested in Hannah, and Sarah is more or less interested in Shaw. She certainly does have a tall, dark, and handsome type. Shaw and Hannah both came on pretty strong: Hannah took a job she’s immensely overqualified for to work with Chuck (kinda sweet, kinda creepy) and Shaw has memorized Sarah’s coffee order (kinda creepy, kinda sweet).

Smallville: Absolute Justice


Lois: "Nice helmet."
Doctor Fate: "Thank you."

Dan liked it, for the most part. But I think it was out of my league, pun intended.

Supernatural: The Song Remains the Same


Sam: "They all say we'll say yes."
Dean: "I know. It's getting annoying."

"In the Beginning" was a tough act to follow, but they absolutely pulled it off. I loved nearly everything about this episode. (Except for Anna's betrayal and her horrible death. Why do the cool female characters always die on this show?)

Fringe: Jacksonville


“This is what William Bell warned me about.”

When two worlds collide, pairs of objects are smooshed together. And because every action has an equal and opposite reaction, if an object comes from over-there to over-here, another object has to go from over-here to over-there. Because of the laws of narrative balance, that object will be similar to the first object: a building for a building.

Lost: LA X


Ben: "You're the monster."
Locke: "Let's not resort to name calling."

Two timelines, no waiting. This episode was so wild and crazy that I was almost thankful for the commercials so that my brain could at least try to keep up. I said, almost.

Chuck: Chuck versus the Nacho Sampler


“I’m a spy.”

Chuck’s gone Dark Knight. He’s not the flubby schmuck who drops stuff when a beautiful woman walks into the BuyMore and hasn’t had a date in a year. He’s a stone-cold liar who burns his assets and tranqs with impunity. Awesome—and even Sarah—are stunned, and not in a good way, by Chuck’s move towards the dark side of the force.

Heroes: The Wall

I actually watched this one because there were so many sarcastic reviews mentioning the ridiculously heavy-handed symbolism. And it was, indeed, heavy-handed to the point of ridiculousness.

Fringe: The Bishop Revival


“All of Hitler’s dreams in one little toxin.”

I love a good Nazi thriller as much as the next person. Valkyrie was a great movie. Indiana Jones and the Last Crusade was even better. I even liked the Angel episode “Why We Fight,” and didn’t hate that FlashForward episode with the old Nazi guy. But this episode didn’t work for me at all. Here’s why.