Billie Doux: My favorite television couple ever, like this is a surprise, is...
Showing posts with label La Femme Nikita. Show all posts
Showing posts with label La Femme Nikita. Show all posts
Valentine's Day Discussion! Who is Your Favorite TV Couple?
Billie Doux: My favorite television couple ever, like this is a surprise, is...
Doux Top Twenty! Number 4: La Femme Nikita
And I can hear you now. La Femme Nikita? What’s that doing so high on the list?
NewsFlash: A new La Femme Nikita on the CW?
According to my favorite news source, McG may be rebooting La Femme Nikita for the CW. Of course, if it doesn't star Roy Dupuis (and I'm sure it won't, since he's busy making movies), I'm not sure it's worth the trouble. It's always been my impression that the fans want more LFN, but only if it's a movie with Roy and Peta.
Alias versus La Femme Nikita
[Written in June 2006 for a now defunct web magazine.]When Alias debuted in 2001, many fans of La Femme Nikita were outraged and angry by what they felt was a clear case of major league rip-off. I wasn't one of those fans. In 2001, I hadn't seen a single episode of Nikita.
But I was immediately in love with Alias. It is an amazingly strong, dramatic spy thriller with:
-- a Buffy-like kick-ass heroine (Sydney)
-- a gorgeous French leading man (Vaughn)
-- a wry, experienced, expressionless super agent (Jack)
-- Sydney's villainous, shuddery boss (Sloane)
-- Sydney's dragon lady agent mother (Irina)
-- Sydney's friend and sounding board (Dixon)
-- and a brilliant computer nerd (Marshall).
In the summer of 2005, one of my readers strongly recommended that I try La Femme Nikita, and fortunately, I listened to her. Although it started more slowly than Alias and many of the early episodes weren't that good, Nikita gradually pulled me in. By the time I reached season two, I was crazy about it. And I finally understood why so many Nikita fans were so deeply pissed off about Alias.
Because Nikita is an amazingly strong, dramatic spy thriller with:
-- a Buffy-like kick-ass heroine (Nikita)
-- a gorgeous French-Canadian leading man (Michael)
-- a wry, experienced, expressionless super agent (also Michael)
-- Nikita's villainous, shuddery boss (Operations)
-- Operations' dragon lady second-in-command (Madeline)
-- Nikita's friend and sounding board (Walter)
-- and a brilliant computer nerd (Birkoff).
Can you see where I'm going with this?
Each show ran for four full seasons, followed by an abbreviated fifth season. That's a pretty interesting coincidence. Alias was canceled abruptly in the middle of its fifth season. Nikita ended unexpectedly with its fourth; fan reaction and save-our-show campaigns brought it back for a brief fifth season.
There were many differences, of course. Alias was on ABC. It had a bigger budget, and it showed. Nikita aired on the USA network as well as many other stations all over the world, and was filmed in Toronto. Since Nikita ended its run in 2001 when Alias began, Alias was able to tap into the best of Nikita (I won't use the term "ripped off") and avoid some of its mistakes.
I love both shows. Alias has its strengths. Nikita has its strengths. Yes, I prefer one over the other; I finally came down on one side. I'll eventually tell you which one, and why. But first, I'm going to do a side-by-side comparison.
Sydney versus Nikita
As far as heroines go, Alias wins, hands down. I'm extremely fond of Nikita herself, played with heart and verve by the strikingly beautiful and athletic Peta Wilson. But Jennifer Garner was the stronger actress, and Sydney Bristow a more interesting character. Sydney was why we watched.
Nikita was something of a cipher. When we first met her, she was young and homeless, thrown out by her mother. We never learned her last name. During the first half of season one, Nikita had something of a Pygmalion/Galatea relationship with her trainer and mentor, Michael, and he told her what to do. Nikita constantly led with her heart, and it constantly got her into trouble.
Sydney, on the other hand, kicked major butt from the start of the first episode. Heroic, charming, athletic, brilliant, emotional, and sexy, Sydney was the ultimate heroine, and Jennifer Garner was perfect for the part.
I think this difference was illuminated by their, pardon the expression, aliases. The exotic wigs and cocktail dresses that Jennifer Garner wore on Alias were so special that they became a trademark of the series. Peta Wilson also wore some stunning and exotic outfits while undercover on Nikita, but it wasn't what made Nikita special. And the few times she wore a wig, it never quite worked.
Michael versus Vaughn... and Jack
My favorite character on Alias, other than Sydney, was Sydney's father, super agent Jack Bristow (Victor Garber). From the very first episode, Jack's expressionless poker face and dry sarcasm just reeled me in. Jack's love for Sydney and the way it developed from estrangement into closeness was the emotional core of Alias.
Don't get me wrong. I liked our romantic lead Vaughn (Michael Vartan), too. At first too much of a boy scout, the utterly gorgeous Vaughn developed some interesting darkness over the course of the series... but possibly not enough. A recent article on Salon.com referred to Vaughn as "chronically boring." I wouldn't go that far -- I still wanted Sydney and Vaughn to live happily ever after together in the end -- but I think the writer had a point. After the dissolution of SD-6 and the consummation of his relationship with Sydney, Vaughn was never as exciting as he could have been.
Which brings me to Michael (Roy Dupuis) on Nikita. It seems obvious to me that both Jack and Vaughn were based on different aspects of the character of Michael. Michael was cold, expressionless, mysterious... romantic, and utterly gorgeous. Michael was an extremely strong leading man, and the writers wrote for him. The character of Michael was the focus of Nikita, much as Sydney Bristow was the focus of Alias.
When it comes right down to it, I love Jack. But I love Michael more.
The love angle
When I was deeply into Sydney's undercover mission at SD-6 during the first two seasons of Alias, I kept wanting Sydney and Vaughn to disregard everything and have a reckless, passionate affair. I was so disappointed that they never did. One thing I loved about Nikita is that it is exactly what happened with Michael and Nikita. It was like wish fulfillment.
Let's face it. The Sydney/Vaughn romance was a pale thing compared to Michael and Nikita, star-crossed lovers extraordinaire. Imprisoned by Section One, ordered to have sex with others in the line of duty, working together but forbidden literally on the pain of death to get emotionally involved, Michael and Nikita defied their keepers and fell in love anyway. Their clandestine affair eventually became their reason to live, and our reason to watch.
How did they keep that love affair so vital for five seasons? Part of it was that Roy Dupuis and Peta Wilson had some major chemistry going on, and the relationship built so slowly. For a long time, there were meaningful glances, brief conversations with undertones, making love... but only undercover, and under orders. For a very long time, I had no idea how Michael truly felt about Nikita. Michael is an emotionally dysfunctional hero, distant and damaged. In the early seasons, Michael knew that Nikita loved him and he cruelly manipulated her emotions more than once in the line of duty. But later, he risked death just for one hour alone with her. What can I tell you? I'm a sucker for stuff like that.
Frankly, the most interesting romantic couple on Alias wasn't Sydney and Vaughn. It was by far and away Sydney's parents, CIA agent Jack Bristow and KGB assassin Irina Derevko. The Jack/Irina relationship began with treachery, since Irina originally married Jack under orders so that she could spy on him. Their strong emotional bond was just fascinating, especially when they were trying to kill each other. The only person that Jack loved more than Irina was their daughter, Sydney.
Section One versus Spy Family
It might not be entirely fair to do a comparison here, because on Alias, we went through SD-6, the CIA, and APO. But on Nikita, there was only Section One.
Section One, "the most covert anti-terrorist organization on the planet," ostensibly did good while operating under a mandate of pure evil. The operatives of Section One were recruited from death row, and forced to perform or die; no one got out of Section One alive. Section One was personified by the villainous Operations (Eugene Robert Glazer), a man who ordered cancellation for bad guys, innocent people, and his own operatives as easily as he ordered dinner and a prostitute.
SD-6, run by the nefarious Arvin Sloane (Ron Rifkin), had something of the flavor of Section One. SD-6 pretended to be a covert branch of the CIA, but was in fact part of an evil alliance; when Sydney discovered this fact, she became a double agent for the real CIA in order to bring down Sloane. But the SD-6 plot ended in the middle of season two, and the setting shifted to the CIA. I have never understood why they did that, because the SD-6 story was a particularly strong one. I read somewhere that the audience found SD-6 confusing. I didn't find it confusing. In fact, I wonder if Alias just never recovered from the loss of SD-6. It was never quite the same afterward.
Two of the strongest characters on both shows strongly resembled each other. They were Section One's second-in-command, Madeline (Alberta Watson), and Sydney's mother, Irina (Lena Olin). Both were women of a certain age. Both were gorgeous, brilliant, ruthless, and duplicitous. I gotta say, too, that I just realized that their fates were similar. Coincidence? I don't think so.
I loved the darkness and paranoia of Section One, and the forbidden romance between Michael and Nikita. It was what made Nikita unique. But I also loved the complex relationships of the extended spy family on Alias: Sydney and her parents, Jack and Irina; Sydney's half-sister Nadia and her father Arvin Sloane; Irina's evil sisters Katya and Yelena. I used to fantasize that Sark was a relative, too. Wouldn't that have been fun?
How they ended
I gotta say that I think Alias had the better ending.
Alias started out phenomenally well. The pilot was extraordinary television, and the first two seasons were outstanding. Seasons three and four, though... not so much. Season five began badly, but they pulled out all the stops and created an ending worthy of the series. (Go read my episode review!)
Nikita was different. It started slowly with not so good episodes, but by season two, it was going strong. It got better and better until it peaked in the middle of season four. And then it got canceled, and it was as if the air went out of it. They rebounded with a good resolution of the story in the final episodes of season five, though.
Which was better?
Which do I like better, Alias or Nikita? They both have their strong points, as outlined above. And I haven't stopped loving Alias by any means, especially the first two seasons. Hey, if you like action more, Alias may be your cup of tea.
But I gotta say, I think Nikita is better. Or maybe I just love it more. Nikita is purer, more focused, much darker, and infinitely more romantic, since the Michael/Nikita relationship is the core of the series. I'm a romantic. What can I say.
---
Billie Doux loves good television and spends way too much time writing about it.
Still obsessed with La Femme Nikita... and Roy Dupuis
Back in July, a member of my Lostreviews list recommended I try La Femme Nikita (thanks, Katherine). I Netflixed it. By the time I reached the third disk, I realized I had to have all of it, now, now, now -- so I went out and bought the first three seasons. I watched several episodes a day until I reached the end of season three. And then I watched them again.
Like Alias? Try La Femme Nikita
La Femme Nikita
Season 3 | Season 4 |
Season 5 | Articles |
Related Links | Cast |
Nikita (revival) |
La Femme Nikita (1997-2001) is a spy drama about the agents of a secret anti-terrorist government organization called Section One that ostensibly does good while operating under a mandate of pure evil. The story centers on Nikita (Peta Wilson), framed for murder and taken from death row to work for Section One, and her relationship with Michael (Roy Dupuis), a distant and damaged super agent who is her trainer, her mentor, and eventually, her lover.
What makes a series a cult classic? Whatever it is, La Femme Nikita has it. Although it was a low budget production that aired on USA, La Femme Nikita attracted a core audience of loyal and completely obsessed fans. I loved the darkness and paranoia of Section One and the forbidden love affair between Michael and Nikita. In fact, I became such a fan of Roy Dupuis that I reviewed many of his movies and television appearances.
Thank you to the LFN site Cynbythesea for many of the screencaps I added to these reviews in 2019.
Season One
1.1 Nikita
1.2 Friend
1.3 Simone
1.4 Charity
1.5 Mother
1.6 Love
1.7 Treason
1.8 Escape
1.9 Gray
1.10 Choice
1.11 Rescue
1.12 Innocent
1.13 Recruit
1.14 Gambit
1.15 Obsessed
1.16 Noise
1.17 War
1.18 Missing
1.19 Voices
1.20 Brainwash
1.21 Verdict
1.22 Mercy
Season Two
2.1 Hard Landing
2.2 Spec Ops
2.3 Third Person
2.4 Approaching Zero
2.5 New Regime
2.6 Mandatory Refusal
2.7 Half Life
2.8 Darkness Visible
2.9 Open Heart
2.10 First Mission
2.11 Psychic Pilgrim
2.12 Soul Sacrifice
2.13 Not Was
2.14 Double Date
2.15 Fuzzy Logic
2.16 Old Habits
2.17 Inside Out
2.18 Off Profile
2.19 Last Night
2.20 In Between
2.21 Adrian's Garden
2.22 End Game
Season Three
3.1 Looking for Michael
3.2 Someone Else's Shadow
3.3 Opening Night Jitters
3.4 Gates of Hell
3.5 Imitation of Death
3.6 Love and Country
3.7 Cat and Mouse
3.8 Outside the Box
3.9 Slipping Into Darkness
3.10 Under the Influence
3.11 Walk On By
3.12 Threshold of Pain
3.13 Beyond the Pale
3.14 Hand to Hand
3.15 Before I Sleep
3.16 I Remember Paris
3.17 All Good Things
3.18 Third Party Ripoff
3.19 Any Means Necessary
3.20 Three-Eyed Turtle
3.21 Playing With Fire
3.22 On Borrowed Time
Season Four
4.1 Getting Out of Reverse
4.2 There Are No Missions
4.3 View of the Garden
4.4 Into the Looking Glass
4.5 Man in the Middle
4.6 Love, Honor & Cherish
4.7 Sympathy for the Devil
4.8 No One Lives Forever
4.9 Down a Crooked Path
4.10 He Came From Four
4.11 Time to be Heroes
4.12 Hell Hath No Fury
4.13 Kiss the Past Goodbye
4.14 Line in the Sand
4.15 Abort, Fail, Retry, Terminate
4.16 Catch a Falling Star
4.17 Sleeping with the Enemy
4.18 Toys in the Basement
4.19 Time out of Mind
4.20 Face in the Mirror
4.21 Up the Rabbit Hole
4.22 Four Light Years Farther
Season Five
5.1 Deja Vu All Over Again
5.2 A Girl Who Wasn't There
5.3 In Through the Out Door
5.4 All the World's a Stage
5.5 The Man Behind the Curtain
5.6 The Evil that Men Do
5.7 Let No Man Put Asunder
5.8 A Time for Every Purpose
Articles
Alias vs. La Femme Nikita
Still Obsessed with La Femme Nikita... and Roy Dupuis
Like Alias? Try La Femme Nikita
Related Links
Doux Top Twenty! Number 4: La Femme Nikita
Alias reviews
Nikita reviews (reboot series, 2012-2013)
Roy Dupuis movie and television reviews
Cast
Peta Wilson (Nikita)
Roy Dupuis (Michael)
Eugene Robert Glazer (Operations)
Alberta Watson (Madeline)
Don Francks (Walter)
Matthew Ferguson (Birkoff)
La Femme Nikita: A Time For Every Purpose
This episode had a certain symmetry to it, a synchronicity bordering on predestination.
La Femme Nikita: Let No Man Put Asunder
Michael: "I know."
Bride of Section. Can you believe the extreme wedding imagery?
La Femme Nikita: The Evil That Men Do
Nikita: "I've been calm long enough."
This was an odd episode with a lot of separate pieces that weren't very cohesive: Nikita vs. Operations, Michael and the Collective, Quinn undercover for Mr. Jones, Adam tacked on at the end.
La Femme Nikita: The Man Behind the Curtain
Jones: "Why not?"
Michael showed up at the end of the episode looking like an extra in a biker movie. Have we ever seen him looking that shaggy? Who cares? Damn, I was glad to see him.
La Femme Nikita: All the World's a Stage
Nikita: "Not in this place."
I can feel a Mick-related tirade coming on.
La Femme Nikita: In Through the Out Door
Section isn't doing very well, what with the personnel shortage and constant equipment failures and a new arch nemesis and all. And Operations is taking every opportunity to try to bring Nikita down. What a time for the Gelman process to kick back in, huh?
La Femme Nikita: A Girl Who Wasn't There
La Femme Nikita: Four Light Years Farther
Michael: "No."
This episode made me want to run screaming out of the room. This was how they were going to end the series? Are you kidding me?
La Femme Nikita: Up the Rabbit Hole
Walter: "My faith in humanity."
And they were back on a boat together. How appropriate.
La Femme Nikita: Face in the Mirror
Was this for real? Please tell me it wasn't. Please.
La Femme Nikita: Time Out of Mind
This was the second episode in a row that Nikita spent dressed in white, tied to a bed and injected with stuff against her will. There was even another lunatic mother and son. I wouldn't mind if this had been a good episode. This was not a good episode.
La Femme Nikita: Toys in the Basement
Michael: "You owe me fifteen days."
The whole psycho in the basement plot left me cold. It's been done so many times, let's face it, and much, much better.
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